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Saturday, September 1st, 2007

Welcome to issue nine of Feel The Word Magazine.

Come on, can it get any better than this?

Possibly, but it would probably land us in jail.

Some pretty sharp work across the board this month. Short stories and poetry have become increasingly difficult to pick over the last three or so issues, mainly due to the fact that the ever-growing volume of material we’ve been getting. Which roughly means that the three stories we’ve gone with this month by an exceptionally talented group of writers, Daniel M. Ridges, Jennifer Khoury and Jeremy Trumble are truly the best of an incredible body of work that we had to get through these past few weeks. Three distinctive approaches to short fiction, and we’re honored to have them highlight our ninth issue.

Variety seems to be the theme for our poetry selctions this month as well. Tristan Franz, Steven Roden, Bobby Calero, Matthew Sharp, Bill Toad, Grace Faller, Alejandro G. and Amanda Boschetto all step in to Feel The Word Magazine this month with poetry that ranges from the broken-hearted (because what’s any collection of poetry without a couple of pissed-off love poems done to original effect?) to the nightmarish with eyes widen open to catch every grim detail, and then straight on into something that might very well qualify as children’s poetry.

It’s a strange combination, but it might just work.

We’ve got two terrific interviews lined up for you as well. Although musically different, Melissa Smith’s interview with DJ HWY 7 and our own Amber Vilate’s conversation with Schuyler Fisk do have one notable feature in common. Both interviews involve incredibly talented, underrated musicians who are still making a lot of headway and picking up a lot of attention through the sheer force of their attention to the work. That’s generally been the core idea of the interviews we’ve gone after so far, and this month’s interviews do a more than worthy job making that clear.

Basically, if there’s anything about these interviews that grabs you, then definitely move from here into some great music.

Reviews? We might have a couple around. For both film and music we’ve managed to secure a few wonderful new writers to match up to the usual talent we’ve been bringing month after month. For film, Patrick Wood, Leslie Dufresne and Roberto Azula join Kanaka Sathasivan, Dan Schneider, Oliver X., Adventures In Netflix columnist Gabriel Ricard and Eric Smith for the odd range of old classics and new titles this side of the endless drive-in. Music-wise, we’re pleased to welcome James Pitts and Simon Staake to Feel The Word Magazine standards Michael Tenzer, Constantine Koutsoutis, Oliver X. and J.D. Butter. All of whom turn in some of the best reviews we’ve published so far. But even so, it’s Simon Staake’s concert review on Tom McRae and The Hotel Cafe tour that might be worth checking out first. We’ve been wanting to run concert reviews since this whole show started, and we couldn’t ask for a better one to start with.

The talent just seems to get stronger and stronger as we move closer to our one-year-anniversary.

All in all, it’s a pretty safe bet that we’ve got something for everyone as we head into a summer full of wonder and adventure.

And by wonder and adventure, we mean high gas prices, tornadoes, hurricanes and temperatures that bring to mind an old episode of The Twilight Zone.

So, relax, wonder why Bill Hicks is long dead and Carlos Mencia is alive and getting rich on lame ethnic jokes, and then check out at the latest issue of the magazine that metaphorically speaking isn’t afraid to steal all the liqour in your freezer while you sleep.

And don’t forget to check out our new wiki page and mailing list.

Thanks as always for dropping in. Remember that we’re looking for submissions in all areas, so be sure to look up our guidelines while you’re here.
 
You know, if you’re into that sort of thing.
 
Lord knows we are. 
 
 
 
 

Submission Guidelines

Saturday, September 1st, 2007

Although there’s the hope of eventually expanding into bigger and better things, we’re only looking for the following at this moment in time. We’re particularly looking for film and music, but obviously, stuff for all categories is essential in some way.

All authors retain full copyrights of their work.

All questions/submissions/misc should be sent along to magazine@feeltheword.net

For all submissions, please include a brief cover letter. It doesn’t have to be anything fancy. Just a few lines of who you are and what you’re sending us.

Also: If you’d like to submit to more than one area, that’s fine. Just please make sure they’re in seperate emails (for example, if you wanted to send a movie review and a short story, you’d send the short story in one email and the film review in another).

Music

Staff

-Anyone who is interested in a part-time/full-time writing job with the magazine. Current responsibilities would include contributing reviews of albums for both mainstream and independent releases of your own choice, as well as assignments from both the editor of the music department and myself. Albums from any era and any genre are welcome. Reviews should be professional, but true to your own voice and writing style. Length-wise, I will leave it up to your own common sense. Although you may not agree with their subject material and overall style, I would encourage anyone interested to look through the pages of Rolling Stone, Spin, Paste, and other music magazines. If only to get a sense of the level I’m hoping for. Please include your work as either a Microsoft Word attachment or in the body of an email (properly formatted).

Freelance

If there’s an album review you’d like to contribute, feel free to send it our way. Guidelines for freelancers are the same as those interested in a staff position. Simultaneous submissions are allowed. Please specify in the subject heading that you are sending a music review.

Creative

Short Story

-Anyone interested in contributing original short fiction to the magazine. Stories can be about any subject you feel like sharing with us, although genre fiction (horror, romance, erotica) is not encouraged. Stories can include these elements (except for erotica), but they should not be the focus point of your submission. A basic understanding of grammar and English would also help your chances greatly. And as far as length goes, I’m going to again ask people to use their common sense. A minimum of one thousand words and a maximum of eight thousand words is pretty much in the ballpark of what we’re after. Please do not submit more than two short stories in a given month. Simultaneous submissions are allowed. Please include your work as either a Microsoft Word attachment or in the body of an email (properly formatted). Please specify that you are sending a short story in the subject heading.

Poetry

-Anyone interested in contributing original poetry to the magazine. Poems can be of any length, style, or subject. A basic understanding of english and grammar would be nice as well. Please do not submit more than six poems in a given month. Anywhere from one to three poems will be published out of your submission (assuming your work is accepted). Please include your work as either a Microsoft Word attachment or in the body of an email (properly formatted). Simultaneous submissions are allowed. Please specify that you are sending poetry in the subject heading.

Film

Staff

-Anyone who is interested in a full-time/part-time writing job with the magazine. Responsibilities would include contributing reviews of both mainstream/independent releases on either the theatrical/DVD release level. New releases and classics are welcome. Any film from any era is fine. These contributions would be a combination of films you’d like to see reviewed as well as assignments from us. Length-wise, I will leave it up your common sense. Again, regardless of whether or not you actually like them, I would encourage you to read magazines like Spin and Rolling Stone for an idea of film reviews that combine professionalism with your own unique voice and take on films.  Please include your work as either a Microsoft Word attachment or in the body of an email (properly formatted).

Freelance

If you have anything you’d like to send our way, please feel free to do so. Guidelines for freelance are pretty much the same as those for staff. Please specify that you are sending a film review in the subject heading.

Payment

-We are unable to pay our contributors or staff (and that includes the overworked Editor-in-Chief) at this time.

Publication

-At the moment, we publish a new issue at some point during the first week of every month. All submissions must be in no later than the end of the previous month. After that, submissions will not be looked over until the second week of a given month (or roughly around the time the current issue is up).

And that’s going to do it for now.