The Doctor’s Been Around A While: An Interview With Jason Kanakis

The Doctor’s Been Around A While: An Interview With Jason Kanakis
By Amber Vilate
 
1.) Even though this is probably in bios you’ve done before, it’s a good place to start. What made you love music enough to pursue a career?

I’ve always been a musician. I started playing piano and clarinet at an early age. I discovered the guitar at age 13 and there was no turning back. It became like an addiction as much as an identity. I was just lucky enough to turn it into my job. I don’t know if it’s as much love as it’s a compulsion. I can’t not do it!

 
2.) Do you still play the piano and clarinet? Do you play any other instruments besides those and the guitar? Do you have a favorite instrument? Please explain why it is your favorite.

Yeah, I pull out the clarinet from time to time. I’m always playing some piano as well. I play mandolin and a little bit of banjo as well. I also play bass. I like the guitar the best. It’s what I’m best at.

3.) I know that you teach guitar in addition to performing and recording. What aspects of the music business and the art do you enjoy most?

I enjoy touring a lot, but it starts to exhaust you. I love working in the studio and creating sounds. Making mistakes that turn out to be great creative leaps. I also love teaching guitar. Teaching keeps me engaged with my main outlet of creativity. By teaching it I have to rethink the instrument every day. I love that.

 
4.) Do you feel that you continue to grow in your art the longer you play and teach? Why is that important to you?

Yeah, I grow all of the time. I feel like I’m constantly getting better and learning. If I didn’t grow I would get bored and probably move on to something else.

5.) You’ve worked with people like Aqualung, Sara Bareilles and Joshua Radin, among others. How did you end up involved with so many different artists? Do you enjoy interacting with them? Why?

90% of my job is comunication. If I couldn’t communicate with a musician and make them feel comfortable with what I’m doing, I wouldn’t work. Sure, I can play pretty well, but I’m also the guy that can get the result without too much struggle. I think that’s the trick. Then there’s the Hotel Cafe…..that’s the place where I drink with the fools you just mentioned. I guess I’m a good drinker too.

 
6.) What do you do in order to keep up your communication with other musicians? As a writer, I have to be conscious of networking all the time. Do you feel the same about your music networking?

Yeah…it’s totally a part of it. I’m always emailing, calling or texting my musician friends to see what they’re up to. It’s not a calculated thing, but it’s a way to stay on top of things. It’s just what you do. It’s also a great way to hear some amazing stories.

7.) How do you feel you contribute to the indie scene and music overall?

Hmmmmm …… I guess I just try to play as honestly as I can. I’m here to serve the music and hopefully make something real. I hope that my enthusiasm for what I do rubs off on other people. I’ve been inspired by other people a lot….maybe I’ve inspired somebody the same way? That would be cool.

 
8.) I’m sure you have inspired at least one person along the way. Do you have fans that keep coming back to see whatever you do (not groupie-esque, just people who come back for more)? Has anyone asked for lessons after seeing you play a live show?

One of the perks of doing what I do is meeting some amazing people. I love seeing familiar faces in cities when I come through town. It makes me feel at home. I’ve certainly taught several "fans." I’ll teach anybody that wants to learn….as long as they’re not crazy!

9.) Would you ever consider signing with another band that has chosen to go with a large record label, rather than staying with Procrastination? Please explain.

I’m not signed to anybody. That’s the joy of being a freelance guy. I work closely with Cary, but there’s no obligation other than our loyalty for each other. I have worked with many other major label artists (Sara Bareilles, Rachael Yamagata, Josh Radin, Aqualung, Pete Yorn, etc…)but these days being a major label artist doesn’t mean the band is living the good life. Budgets are smaller. Profits lower, etc…If Paul McCartney called me tomorrow and asked me to go on tour, I think Cary would understand!

10.) You must enjoy working with Cary Brothers. Did you give much input for the new album or was it more of a one-man show?

Cary and I have been friends since college. The majority of the record was a 3 man operation. Cary, Chad Fischer and Me. There’s a lot of me on that record simply because I was always in the room when we were tracking. I also play a lot of the guitar and bass. We have a pretty good system going. Cary has pretty strong ideas going in. If he can’t play something, I pick up the slack. Along the way there’s lots of little ideas and parts that are mine. It’s all a part of serving the song. It’s my favorite thing to do!

11.) Are you satisfied with the new record and the changes that were made to some of the songs that had previously been released on EP’s?

I think it came out great. I’m very happy for Cary and think he should be proud. I know I’m proud of the contributions that I made. I still think that Cary has his best record in front of him. That’s going to be exciting to watch.

12.) Do you have a favorite song on the new album?

I’ve always liked ‘Think Awhile’.

 
13.) And what about you? Do you have any plans to write and record anything?

I’m always writing and recording. I co-write with people as well. I’ll probably release something this year. Some of it will be instrumental…some of it songs.

14.) If you could create a band, who would be in it? Your fantasy band?

David Immergluck (Counting Crows, John Hiatt, Camper van Beethoven) - I want him on anything with strings. He’s a great player but his energy is the best. He’s my yoda.

Stumpy Joe (one of the dead Spinal tap drummers) He just had great feel.

Cary Brothers - World’s greatest tambourine player.

Throw me in there and we would have a great band!

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Copyright C. 2008 Amber Vilate

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