Fugazi: End Hits (1998)-Constantine Koutsoutis
Fugazi: End Hits (1998)
By Constantine Koutsoutis
A thunderous quiet.
That’s probably the best way to describe this album, really. While not loud or heavy in any sort of “normal” or conventional sense, being sparse in some places even, it’s still something that you’ll definitely feel the power and weight of. Incidentally the first Fugazi album I ever picked up on a total whim, not only did it blow me away with its unique sound, it helped open my eyes to a work beyond the three chords and barks of traditional hardcore. I can remember sitting around just absorbing it, listen after listen, as I’d sit and read or write around the house or on a road trip when I decided I didn’t want the same-old same-old playing.
For those new to Ian McKaye’s post-Minor Threat work in general and Fugazi in particular, I honestly don’t recommend just jumping straight into End Hits. I mean, I did and loved it and if you’re totally comfortable taking risks like that with getting your mind blown musically, then go ahead. Otherwise, be warned, this is an incredibly dense and rich record, embracing so much outside of the “normal” parameters of punk rock and hardcore or even the ambiguous “post-hardcore” tag that you hear hints of tribal drumming, jazz, folk, and just straight-out experimentation in time signatures and rhythm. The most conventional track is probably “Five Corporations”, and even that’s a pretty crazy song that will drill into your brain relentlessly and stay there, having you wonder just what the hell happened in the stereo.
For anyone familiar with Fugazi, I’d recommend this. If not, then be warned of strange and potentially dangerous waters ahead. However, the treasure you’ll manage to dig up at the end of this metaphorical pirate’s voyage (God, I normally hate this metaphor but it’s very appropriate in this case) will definitely be worth it for the brave of soul.
Copyright C. 2008 Constantine Koutsoutis
May 30th, 2008 at 10:41 pm
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